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Like Agent Smith before him, he’s taking names and asking awkward questions, as he tracks down Milton. Meanwhile, back at the diner, William Fichtner’s Accountant turns-up, in a sharp, black suit looking like one of the G-Men in The Matrix, albeit minus the shades.
#Drive angry movie spoiler free#
Wouldn’t you know it? Piper’s car breaks down and who should be on-hand to fix it and earn himself a free ride? Lucky boy.
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Moreover, Piper ‘drives it like she stole it’ which, in a way, she has: it’s her boyfriend’s car.Ĭage then, is John Milton (a reference sure to go over the heads of the majority of this movie’s audience) and he’s Looking For Someone. No wonder she loses so many jobs… Still, this potty-mouthed young woman has got a sweet ride: a ‘69 Dodge Charger (or is it a ’68? One can never tell…). A sassy waitress in said joint, Piper’s unafraid of grabbing life (or her sleazy boss) by the balls. We then get to a roadside diner and while Cage observes from his shadowy booth, we get our first glance at Amber Heard’s Piper. And nor is the film, going on the lack of reverence it pays to its genre. No, this is Nic Cage calmly shooting-the-shit out of some bad guys and lobbing out quips as though he were playing a ‘ T-800’ as-written by Tarantino himself.Įxcept he plainly isn’t. There’s no portentous Terminator dialogue here, or much else at-stake for these unfortunate z-list meatheads. It’s hilarious of course, in a grotesque pastiche of the action genre.
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‘Angry begins as it means to continue: with Cage shooting various appendages from the occupants of a rolled pick-up truck a truck, I should add, that’d been brought to a stop after colliding with Cage’s muscle car in, err, ‘dramatic fashion’. Cage can rest in the knowledge that, not only has his involvement helped another burgeoning career, but that favours might be returned further down the road… Perhaps then, we should think of ‘Angry as a calling card in the filmography of a director bound for better things. Writer-Director Patrick Lussier undoubtedly has the chops to handle something more prestige than this. Which brings us to Drive Angry: a cut & paste action flick, made by film-makers who achieve wonders on-screen, with a fraction of the budget one might expect. With its blend of ludicrous action, OTT pyros and a thudding heavy metal soundtrack that staggers forward under a cod-Satanic mantle, ‘Rider was to generate healthy business and pave the way for Cage to explore the same, lucrative Grindhouse-influenced vein. The other, is more of the same but a little frothier, preferably with a spooky tinge.Ģ007’s Ghost Rider – a filmic adaptation of an obscure Marvel character – unlocked a new generation of fans for Cage, at the point he was tipping into box-office insignificance. The first, is that of the loner-out-for-revenge, e.g. Strand two – the acting – spans two distinct genres these days. If he can lend a little star power by appearing in them, all to the good: I’m looking at you, Bad Lieutenant (2009). If you’ve not seen it (and unless you’re a Cage completionist, why would you?), Drive Angry typifies the career sunset that Cage has been enjoying of late a period one might divide between two strands.įirst, through his production company, he’s been able to support projects that might not otherwise get made, despite their artistic merits. I suppose it was only a matter of time before I reviewed a Nicolas Cage movie: the only remaining question being: which one? The sensitive, affecting performance delivered in Mike Figgis’ Leaving Las Vegas (1995) perhaps? Or one of the evergreen, high-concept milestones such as Face/Off (1997) or The Rock (1996)? By this point in Cage’s storied career, the list is almost too long to – wait. Drive Angry Director: Patrick Lussier / Screenplay: Patrick Lussier & Todd Farmer / Editing: Devin & Patrick Lussier / DP: Brian Pearson / Score: Michael Wandmacher Cast: Nicolas Cage / Amber Heard / William Fichtner / Billy Burke / David Morse / Todd Farmer / Christa Campbell Year: 2011 One Hell of a Movie…